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Natural Beauty

According to jewellery designer Anna Moltke-Huitfeldt, the closest thing to pure beauty can be found in the gifts provided by Mother
Nature. In light of this, the Danish artist chooses to honour nature's rugged, earthy charm through her creations.

     



Anna Moltke-Huitfeldt is no stranger to storytelling. Her own story is shaped by majestic moments that her family shared with the king of fairytales, Hans Christian Andersen, who was a fre-quent guest at the Moltke-Huitfeldt family estate, nestled on the beautiful Danish island of Fyn. It was here that Andersen would share his enchanting stories over dinner, before retiring to the land of dreams in the Moltke-Huitfeldt residence.

It is perhaps this special ancestral heritage that ignited Moltke-Huitfeldt’s desire to explore a storytelling method of her own, by using her awe of nature and passion to express her appreciation of all that it has to offer. Her quest took her far and wide, from the lagoons of Tahiti, to the diamond district of Antwerp in search of Mother Nature’s finest creations: diamonds and pearls.

Nature’s perfection
In combination, these gems became the perfect means for Moltke-Huitfeldt to chronicle natural beauty. The shape and form of the stories she creates are varied, but there is only ever one conclusion; jewellery that is a living celebration of natural matter, crafted to reflect the personality and spirit of those that wear it.

In a world obsessed with the manufactured perfection of cut and polished diamonds, even Moltke-Huitfeldt herself never dreamed she would be so taken by the multifaceted beauty of rough diamonds. On her first expedition to Antwerp, where Moltke-Huitfeldt still visits to hand-pick her gems, what she discovered was nothing short of breathtaking.

‘What is really important to me is beauty,’ says Moltke-Huitfeldt from her workshop, overlooking the abundantly beautiful Danish countryside. ‘And when I found these gems created by the earth, it was so extremely beautiful. I knew I had to take this beauty and use it as it is.’

Learning how to harness the full power of the beauty of these materials led Moltke-Huitfeldt to really contemplate what the very subjective concepts of beauty and perfection meant to her.

When asked why imperfection is more important than perfection Moltke-Huitfeldt said ‘I don’t know what you mean! In my view nature is full of perfection. What is imperfection?’

Everlasting beauty
Looking deep into the soul of a rough diamond – a never-ending kalidescope of reflected colours and light – Moltke-Huitfeldt realised that here was the natural world’s manifestation of the idea of eternity: an idea that corresponded with something deep within her. An idea that was beautiful.

‘Beauty is a harmony; it is a matter of balance. When you find a beauty that is reflected inside you, it is almost like a mirror image,’ says Moltke-Huitfeldt.

Photographing her diamonds up close allows Moltke-Huitfeldt to capture the fascinating story within each precious jewel.

‘When looking into a diamond, it’s quite a different experience. You have a three-dimensional world inside a diamond because of the intricate structure inside it. It is just so interesting,’ she says.

Symbolic values
Eternity is a recurring theme in both Moltke-Huitfeldt’s jewellery and design. Her range of couture bowls, which can be used to display gemstones and other precious pieces, are inspired by the parabolic mirror used to ignite the Olympic flame. This almost magical reflective curvature harnesses the energy of the sun to generate a spark in its centre.

 

‘I like the symbolic value of the Olympic bowl, and how it surrounds beauty with space,’ she says. ‘My bowls aspire to a similar concept.’

The spiral and the chain are more inspirational forms that reflect Moltke-Huitfeldt’s view of the world as an eternal series of harmonious connections and friendships. In her chains, many of which are made up of tiny spirals built from layers of 0.5mm wire, space is also very important in emphasising beauty.

‘In my chains, air is the carrier of each link,’ she says. ‘When I put the pearls into it, and you view it from a distance, it’s almost as if the pearls are floating.’

True colours
Like so many other artists, Moltke-Huitfeldt’s physical journey in finding the materials of her craft seemed to parallel her own inner journey.

Learning about the natural multi colours of the Tahitian pearls and rough diamonds led her to: ‘Find rooms inside myself that I was no longer afraid to open, to display their true colours and varieties and intensities,’ she says. In a similar way, the unique pieces that Moltke-Huitfeldt designs for her clients always tend to take a direction that follows the individual’s own experience of the creation process.

‘It’s a very personal experience,’ says Moltke-Huitfeldt. ‘My clients always seem to find a new idea of beauty that resonates with them, instead of just following what they’re used to seeing. Beauty for each person depends on where you are inside yourself, and what this piece of jewellery reflects in you.’

Pearl essence
The effortless and quiet beauty of pearls fascinates Moltke-Huitfeldt.The perfectly rounded gifts from the sea are a further expression of eternity. They are infinite in shape and form, and harbour endless aesthetic possibilities.

Moltke-Huitfeldt primarily uses Tahiti pearls, which boast a powerful range and intensity of colour, as well as a high depth of lustre. In combination, these features compliment her vibrant design language perfectly.

‘Pearls are as effortlessly graceful as nature itself,’ says Moltke-Huitfeldt.

Diamonds are forever
Moltke-Huitfeldt works primarily with rough natural colour diamonds, which she handpicks in Antwerp. With 80% of the world’s rough diamonds exchanging hands in the glittering Belgian city, it provides the designer with a magnificent array of choice for her creations.

The interplay between the colour of a diamond and how it catches and dances in the light is a great inspiration for her selection, and her diamonds are characterised by vibrant tones, reflective power and highly individual forms.

The natural character of the diamonds is not compromised by cutting or polishing processes traditionally used to manufacture diamonds. ‘The untouched beauty of rough natural colour diamonds tells a compelling story that I want to share with the world,’ says Moltke-Huitfeldt.

Further information
Anna Moltke-Huitfeldt
Tel: +45 4434 1010
Email: anna@moltke-huitfeldt.dk
Website: www.moltke-huitfeldt.dk

 
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